His work lives in that space where the figurative dissolves into the abstract, where analog and digital do not contradict but enhance each other. He paints and composes from color as if it were emotion in physical form. Because for him, that’s what art is: emotion taking shape.

He creates from the memory of the child he still is and the intuition of the adult who hasn’t lost his sense of wonder. His aesthetic draws from the imagery of the '80s, from popular art, from vibrant visual culture—but also from the need to question what we’ve been taught to call “good taste.” While the world turns grey, he chooses to saturate.

He doesn’t believe art should be explained—he believes it should be felt. His work doesn’t aim to please; it aims to connect, to shake, to awaken memory. Because sometimes, the most powerful thing is not to understand it, but to feel it.